By this I mean that we no more have a shut system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
Uchiyama is reported as Avion En Papier Dessin obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are filled with slitting to achieve ears or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to offer enough points for the thighs. Rohm folded his Circus pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of Avion En Papier Propulsé Avec Un Elastique a model achieved exclusively by folding.
Kent du Pre has done such work on Symmetric figures such as stars from which flowers can be folded away. Irregular figures have came out occasionally, but the most extreme form occur in Paper Magic with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive density. The most recent point out of the techniques is by Toshie Takahama who refers to it as Origami Paper Kirikomi and distinguishes it as typical of very early Japanese Origami.
Within a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling This is now usual in animal folds to call for a final modelling particularly when foil has been used and one can make certain of the materials remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modeling following the folding The technique of wetting the paper is apparently Japanese in origin was demonstrated by Yoshizawa at a Avion En Papier Pliage Simple Convention in Luton. Another method of damp moulding using paste in the preparation is mentioned by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The retracts tend to be smooth and we are approaching figurine rather than Origami.
Fleur en papier
The cutting out of holes and so forth. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). Typically Avion En Papier Qui Vole Très Bien Et Longtemps the last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and obviously here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its easiest form we may use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or card. The most unusual form of 'display mechanics' that I am knowledgeable about is by Toyoaki Kawai.
Bateau en papier
Typically the associated arts are Weaving cloth and Macrame which Origami Heart Bookmark are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the conclusion to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer technique is exploited for its own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to symbolize some part of the creature and then brought with each other. The
theory may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have came out for folding a monster from a number of potager of different sizes.
Comment faire un avion en papier
Within the most extreme combos of water and papers we are, of course , in the world of papier-mache which is plainly an open-ended art. DecoratingThe most basic step from a single color is one side coloured and one white or plain. A great offer of modern Origami uses this colour difference. The delightful example is Joan Homewood's Robin. We can use the